Vanguard’s story lacks themes of camaraderie in the face of horror. Players became attached to one character in a band of brothers.
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Call of Duty WW2 refreshed the series with an emotional campaign. Here, Sledgehammer forgets about the impacts they made with their 2017 game. Leading to a lack of chemistry and cliched band of misfits mentality. The flashbacks outweigh their actual mission at hand. Task Force One also lacks chemistry from meeting on such a short notice. Fitting to their one-dimensional performances, each villain sends a cliched “you can’t stop us” line in twenty different ways. Particularly with its star Nazi villains delivering threats in every banter. Even taking different paths or sneaking through open areas.Ĭall of Duty Vanguard’s story starts to feel a bit too cheesy at times. By this, I mean chances to pick your own ways to beat objectives. Levels feel noticeably longer thanks to players getting agency. Sledgehammer does the gameplay justice by giving more of it this time around. The campaign evenly uses each character to tell an origin story. Until they’re not when players learn more about each member. Without spoilers, Task Force One is together. I’ll admit to staying hooked at Call of Duty borrowing techniques from Reservoir Dogs and Inglorious Basterds.
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The campaign goes full Quentin Tarantino with a time-jumping story. Then goes through a humbling arc in one feel-good level. His story was surprisingly the most fun to watch as his face lands on mud. pilot Wade Jackson sends death from the skies from his WW2 bomber plane. Which is exactly what satisfies players looking for flashy Hollywood spectacles. Australian Infantryman and joker Lucas Riggs likes to make tanks explode. But offers stealth and exploration-heavy levels. Soviet sniper Polina Petrova transforms into a vengeful Lady Nightingale. Or rally surviving troops to turn the tide of big battles. The result pays off with healthy pacing and a larger experience than Cold War’s single player story mode.īritish squad leader Arthur Kingsley puts up a brave face, reflecting on his action-heavy missions to lead charges on hills. I owe Sledgehammer credit for putting its strengths into four playable characters. The campaign keeps players invested in a five to six - hour saga. Players jump across Task Force One in an enjoyable shoot-first-ask-questions-later romp. Vanguard sets a handful of WW2’s finest soldiers upon fascists to finish the job. Players aren’t trying to survive the horrors of war, as much as they’re winning it as creatively as possible. I surprisingly enjoyed a serving of over-the-top set pieces in the older setting. This is the game’s excuse to turn players into a 1940s Terminator. Starting with the birth of special forces soldiers as WW2 ends. But Vanguard’s anticipated campaign manages to tell a new story that fits newer controls.
Less technology relies on pure skill and that “boots on the ground” action Sledgehammer brought back with 2017’s Call of Duty: WWII. But boils combat down to its simplest forms. The setting scales back more advanced forms of warfare.
I had my reservations with Call of Duty going back to WW2. All while bringing back fan favourite characters and elements. It was the first time in a while where players received a fresh Call of Duty. 2020’s Cold War succeeded by exploring history under a brand new 1980’s setting. At the cost of players getting a same-old experience without an end. Even if every mechanic and mode is identical with MW and CW. It creates the most definitive WW2 shooter plays can get to date. But that’s the best part of Sledgehammer’s work on Vanguard.
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